CURRENT AND UPCOMING EXHIBITIONS

The Female Side of God: Jewish Perspectives on Gender and Holiness

Jewish Museum Hohenems, Vienna Austria

April 30 – October, 2017

http://www.jm-hohenems.at/en/exhibitions/preview

Conversations with the Collection: Building/Environments

Smart Museum of Art at the University of Chicago

August 29, 2017 – January 28, 2018

Judy Chicago's Pussies

Jessica Silverman Gallery, San Francisco, CA.

September 6 – October 28, 2017

“Pussy Power,” Judy Chicago in conversation with Sarah Thornton

September 10, 2017

http://jessicasilvermangallery.com/

Inside the Dinner Party Studio

National Museum of Women in the Arts, Washington, DC

September 17, 2017 – January 5, 2018

https://nmwa.org/explore

Roots of The Dinner Party: History in the Making

Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, Brooklyn, NY

Curated by Carmen Hermo

October 20, 2017 – April 2, 2018

https://www.brooklynmuseum.org/eascfa

Feminist Avantgarde of the 1970s. Works from the SAMMLUNG VERBUND Collection, Vienna

Traveling exhibition by SAMMLUNG VERBUND

Curated by Gabriele Schor

The Photographers’ Gallery, London, UK, October 7, 2016 – January 8, 2017

Museum of Modern Art, Vienna, Austria, May 4 – September 10, 2017

ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, November 18, 2017 – April 1, 2018

Stavanger Art Museum, Stavanger, Norway, June – September 2018

The Brno House of Arts, Brno, , Czech Republic, December 2018/March 2019

https://www.verbund.com/en-de/about-verbund/responsibility/art-collection

Moments of Being: an exhibition based on the writings of Virginia Woolf

Tate St Ives: February 10 – April 29, 2018

Pallant House: May 26 – September 16, 2018

The Fitzwilliam Museum: October 2 – December 9, 2018

Judy Chicago's "Birth Project: Born Again"

Travelling exhibition organized by Through the Flower

Curated by Viki Thompson Wylder

Pasadena Museum of California Art, Pasadena, CA., June 17 – October 7, 2018

Mariani Gallery, University of North Colorado, Greely, CO., January 7 – March 29, 2019

http://pmcaonline.org/


News

The Art Newspaper- Judy Chicago: Catwoman by Jori FinkelJudy Chicago is poised to make another comeback. With a dedication that few artists can match, she has been steadily making art and increasingly working on preserving her legacy, despite wild fluctuations in public opinion and critical reception. This autumn, her work will be especially prominent, with her early output presented in a new light. The gallerist Jessica Silverman has organised Chicago’s first major show in San Francisco (until 28 October), called Judy Chicago’s Pussies, with a nod to her pioneering vaginal imagery and more recent cat portraiture. Click here for details

ARTFORUM- Critic Picks by Anne PrentnieksIn this “grab her by the pussy” presidential era, symbolism seems insufficient as protest—and yet it drove the reclamation of a historically derogatory term for female anatomy, giving rise to thousands of pink hats with kitten ears. Likewise, in the works that make up “Judy Chicago’s Pussies,” Chicago explores the iconography of the pussy as both feminine core and feline house pet, channeling wit, fury, and the inherent bodily and metaphysical power of womanhood. Click here for details

The Cut- The Brooklyn Museum Revisits The Dinner Party by Judy ChicagoOne of the Brooklyn Museum’s most renowned artworks on permanent display is Judy Chicago’s 1979 installation The Dinner Party, a cavernous room on the fourth floor. Created by Chicago and a group of 400 workers and volunteers, the triangular dinner table imagines the contributions of female artists, religious leaders, political figures, and mythological characters are inextricably linked. Thirty-nine place settings are arranged for women including Virginia Woolf, Sojourner Truth, and Georgia O’Keeffe — set with golden chalices, polished silverware, and plates sculpted with shells and flowers to resemble vulvas. The names of 999 more women are engraved in gold on the white-tile floor below.

Click here for details

DCist- National Museum Of Women In The Arts Celebrates Judy Chicago’s Landmark ‘Dinner Party’ by Blair MurphyAs a young artist in the 1960’s, Judy Chicago faced a male-dominated art world and an art historical canon that all but ignored the contributions of women. She began researching women’s history, looking to her predecessors for guidance on how to navigate the world as a woman and an artist. That quest became the foundation for The Dinner Party, which became one of the most iconic artworks of the feminist art movement, and is now permanently installed at the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art. Click here for details

Elephant Magazine- Potent Pussies in San Francisco by Leora LutzAdmittedly, I was excited when I heard that Jessica Silverman Gallery was going to be showing never-before-seen work by Judy Chicago. But then I was worried to see cat paintings were included—this is Judy Chicago, of The Dinner Party (1979) fame. What have we become? To traverse from monumental work about art history, women artists, male hierarchy, white male dominated art world, gender inequality—the list goes on—to cats. ‘This is a low time, we’re stepping backward,’ I thought… and simultaneously, ‘I have to see this.’ The show, Judy Chicago’s Pussies is not, but is about “her” various pussies. Click here for details

The New York Times T Magazine- In Art: A Heroine’s Journey by Liz HirschWe’re ‘‘ready for a different narrative about women,’’ says the artist Judy Chicago, fresh off seeing the summer blockbuster ‘‘Wonder Woman.’’ Chicago — who, after taking her hometown’s name partly as a symbolic rebuke of the patriarchy, famously posed as a boxer in the ring for a 1970 Artforum ad — knows a thing or two about the politics of representation. Now, at 78, she’s soon to be the subject of a number of important shows. Click here for details

National Museum of Women in the Arts announces creation of Judy Chicago Visual ArchiveThe National Museum of Women in the Arts announced the creation of the Judy Chicago Visual Archive at the museum’s Betty Boyd Dettre Library and Research Center. The archive will document Chicago’s career through photographs, slides, negatives and printed ephemera. These materials span the 1960s through the present and capture fleeting performance pieces such as her pyrotechnics and dry ice works, as well as exhibitions of drawings, paintings, sculpture and installations, including The Dinner Party. The visual archive will be an essential resource for researchers. Click here for details

Artsy- When Judy Chicago Rejected a Male-Centric Art World with a Puff of Smoke by Alexxa GotthardtIn 1968, several years after she graduated from the MFA program at UCLA, Chicago had begun a series called “Atmospheres.” In the first iteration, she used smoke machines to cloak a Pasadena street in a shroud of ethereal white mist. “It softened everything,” she recalls of the vapor’s effects. “There was a moment when the smoke began to clear, but a haze lingered. And the whole world was feminized—if only for a moment.” Click here for details

Judy Chicago: Four Lads From LiverpoolJudy discusses her mural on site in Liverpool. Click here for details

Judy Chicago, Canaletto and Marc Quinn: this week’s best UK exhibitionsThe artist renowned for her installation The Dinner Party (1974-79), the first explicitly feminist artwork to win mass fame, celebrates an earlier pop icon, the Beatles’ Sgt Pepper’s Lonely Hearts Club Band. She marks the 50th anniversary of the album with a mural called Fixing a Hole, playing with the psychedelic hues of the 60s to turn a grain silo at Stanley Dock into a colossal work of art. Click here for details

The Seen- Potent Pussy // Judy Chicago by Natalie HegertNatalie Hegert interviews Judy Chicago about her cat paintings from 1999-2004 and her long history of intersectional feminism. Click here for details

Judy Chicago on the Beatles: ‘They represent things we have lost – hope and freedom’For Sgt Pepper’s 50th anniversary, the great psychedelic visionary of feminist art has created a giant mop-top mural inspired by Fixing a Hole – a song that sums up what she has spent her entire career doing Click here for details

International Honor Quilt Exhibition Receives Regional Exhibition AwardThe Southeastern Museum Conference awards the Hite Art Institute at the University of Louisville with a silver award for the exhibition "Capturing Women's History: Quilts, Activism, & Storytelling" that was on display from February 1 - March 19, 2016. The "International Honor Quilt" is a collaborative, grassroots feminist art project initiated by Judy Chicago in 1980 to "extend the spirit of The Dinner Party". Click here for details

ARTnews: “Jessica Silverman Gallery Now Represents Judy Chicago”Alex Greenberger 07.18.2016
"San Francisco’s Jessica Silverman Gallery announced today that it now represents Judy Chicago, the feminist-art pioneer whose work deals with female sexuality and the role of women throughout art history. The news comes two months after New York’s Salon 94 gallery also said it would represent the artist." Click here for details

New York Times Exclusive: “Judy Chicago Does TV”Robin Pogrebin 05.05.2016
Judy Chicago is now represented by the New York gallery, Salon 94, founded by Jeanne Greenberg Rohatyn. Also announced in the New York Times: "Jill Soloway, creator of the acclaimed Amazon television series 'Transparent,' is ... making an Amazon series based on Womanhouse, the 1972 feminist art space that Ms. Chicago organized with Miriam Schapiro." Click here for details

ARTnews: “A Few Delights at Frieze New York”Andrew Russeth 05.05.2016
"Probably the biggest surprise of the fair for me, literally and figuratively: Judy Chicago's EU-22 Earth Birth, 1983. This beauty is 6 feet tall and 11 feet long, and it explodes off the wall while also sucking you in. It was at the booth of Salon 94, which is now showing Chicago."
Click here for details

New York Times Art Review: “Frieze New York, a Visual Circus Under the Big Top”Holland Cotter 05.05.2016
"There's a beauty at the New York gallery Salon 94, where Judy Chicago's moody, spray-painted 1983 "Earth Birth" is on the same fluid wavelength as a picture by the Sudanese painter Ibrahim el-Salahi, and both gain in sensuality from the contrasting presence of tough pieces by the great Pakistan-born American sculptor Huma Bhabha and the Japanese ceramist Kentaro Kawabata." Click here for details

Temporary Art ReviewJudy Chicago's interview is featured in Temporary Art Review with insights into the exhibition "Why Not Judy Chicago?" and Judy Chicago's thoughts on feminist practice and art. Click here for details

Judy Chicago featured in French national newspaper LiberationThe title is a play on a phrase from the French revolution, "Phallus, the people will defeat you", and refers to curator Xabier Arakistain's thesis in the exhibition "Why Not Judy Chicago?", that from the beginning of Chicago's career she has been challenging the structure of phallocentric culture through her art, writing and teaching. Click here for details

International Honor Quilt in the NewsThe "International Honor Quilt" at the Hite Art Institute is being recognized as an extraordinary work of collaborative quilting, activism and storytelling that served as the inspiration for the AIDS Memorial Quilt. Click here for details

University of Louisville’s Hite Art InstituteThe University of Louisville's Hite Art Institute celebrates Judy Chicago, feminist art and social engagement this month! Click here for details

Frieze Magazine interviews Judy ChicagoFrieze Magazine interviews Judy Chicago for the Jan-Feb 2016 issue. Click here for insight into Chicago's studio practice, work that matters to her, and what changes she would like to see in the world. Click here for details

Xabier Arakistain’s curatorial statement for Why Not Judy ChicagoClick here for Xabier Arakistain's curatorial statement for Why Not Judy Chicago?, the traveling solo exhbition of Judy Chicago's work that both celebrates Chicago's oeuvre and challenges the ongoing insitutional restistance to her work. The exhibition is on now at Azkuna Zentroa in Bilbao, Spain. Click here for details

SFMOMA San Francisco Museum of Modern ArtSFMOMA San Francisco Museum of Modern Art posted this video of Judy Chicago recounting her experience as one of the only women on the Los Angeles art scene in the late 1960s and 1970s. Female Rejection Drawing from the Rejection Quintet, 1974, is in SFMOMA's collection. Click here for details

BBC Woman’s Hour interviewed Judy ChicagoBBC Woman's Hour interviewed Judy Chicago. Listen to Chicago discuss her career, her London exhibitions, and her upcoming exhibition "Why Not Judy Chicago?" in Bilbao, Spain. Tune in at minute 13:45. Click here for details

Watch the BBC London’s segment on the Tate Modern’s exhibitionWatch the BBC London's segment on the Tate Modern's exhibition "The World Goes Pop" including an interview with Judy Chicago! Click here for details

Judy Chicago discusses her London exhibitionsJudy Chicago discusses her London exhibitions, her artistic practice, and what it means to be a woman in this interview for TimeOut London. Click here for details

Studio International interviewJudy Chicago talks about her career trajectory, the continuing need for feminist art, and the way in which she hopes to spend her remaining years. Click here for details

UK IndependentA great piece on the Tate Modern's upcoming exhibition "The World Goes Pop". Judy Chicago is one of 25 female artists included in this exhibition that reexamines the Pop Art Movement. Click here for details

Chicago’s interview for The TalksJudy Chicago shares her perspective on art and gender, persistence, and what art is about for her. Click here for details

“The Most Iconic Artists of the 1970s” in Artsy Click here for details